Year
2024
Publisher
Amsterdam University Press
Language
English
Pages
11
ISBN
978-9-04856-327-2
Last Update
24-Oct-2024
Keywords
Film Studies ; Communication Studies
Andrei Tarkovsky (1987) famously defined cinema as above all an art of time, enabling its spectators to experience time in novel ways – and its makers to “sculpt” it. Twenty years earlier, André Bazin had defined cinema as a photographic medium as “objectivity in time” or “change mummified” (1967, 15). But is it not equally, or even more fundamentally an art of space? Even before we have registered any sense of time, in front of a screen we are unavoidably “in another place.” In classic cinemagoing, we have traveled to a special place where this vision of a different world...
Related
See More
Antolog�a del pensamiento cr�tico chileno contempor�neo,
Familiar Others
Ethnographica Moralia
Evaluating the Impact of Whole-Body Vibration (WBV) on Fatigue and the Implications for Driver Safety
Australian Travellers in the South Seas,
Furthering Fair Housing
